We are on the lookout for passionate film writers to come into our nest (sick of all these bird metaphors yet?) and contribute with their lovely words. Whether you want to write 2000 words about why Failure to Launch should have won an Oscar or a list of the best Walton Goggins performances, we want you to write for us. Include pictures from the sets, behind-the-scenes, film stills, making-of-the-film videos or anything that you think will add value to your story and be of use to our readers. Send in your contribution with ‘article submission’ in the subject line to If it serves value to our readers, we’ll publish it on Flickside with due credits. Flood Magazine is a quarterly magazine that spans the cultural landscape of film, television, music, art, and travel. According to payment reports, they pay up to $0.15 per word.
To help us do that, we’re currently looking to expand our team. We pride ourselves in providing engaging content, and we do that through a vibrant team ethos. The fact is, we enjoy what we do with a passion for all things pop culture.
We use plagiarism detection software similar to Turnitin (e.g., Copyleaks, Copyscape) )to ensure that the originality level is within acceptable limits. Upon your request, we can provide a detailed report. Your private data is kept secret and won’t be shared with anyone, including the assigned essay helper. Since 2009, we’ve delivered 70% of orders before the deadline, so rest assured you’ll receive your paper on time. We write papers from scratch and use only reliable scholarly sources, so no plagiarism issue is possible. Thanks for your interest in writing for Nightmare on Film Street!
You could treat your review like a formal college essay, but it’s more interesting if you make it your own. If your writing style is usually witty and funny, your review should be no exception. If you’re serious and dramatic, that works, too. Let your language and writing style reflect your unique perspective and personality – it’s much more entertaining for the reader. We are currently looking for feature writers in particular – we are not looking for people who are exclusively interested in reviewing films, and listicles are a hard pass. TV Writer – Delivering the news stories, articles, essays, latest trailers as well as the reviews.
Include the summary of the film’s plot to give the reader a basic idea of what the film is about. Be a member of our FilmSpell community and read compelling movie reviews, articles, and lists celebrating ‘good’ cinema. We strive to ensure that your precious time dedicated to us emerges as a worthy reading experience. Consider starting your own YouTube channel to share video movie reviews. You could do this alongside the ones you write. YouTube is a great way to build your personal brand, earn some extra money, and find a passionate audience for your work.
For champions of the B-movie and the Scream copycat. We want your silly takes, your humorous musings, and for you to sound like you when you gush about the genre that you love. We want to ooze positivity and enthusiasm to newcomers, those who are first dipping their toes into the horror space, and those that want to expand their horizons and horror knowledge. Keep in mind that you’ll need to write a good pitch before getting published by these publications. This free lecture shows you exactly how to do that. Being a staff member provides a chance to learn about the inner workings of a growing publication, and also affords strong networking opportunities.
If you write something negative, have evidence to support it. We all have the right to our ideas, but to be a critic, you must be able to see beyond the compelling story or stunning cinematography and be flexible to movies of any genre. If the movie was successful or unsuccessful, in your opinion, explain why. Be honest in your rating and about the subject matter of your essay. Many people will consider your reviews of the movie. If you give a person a terrible impression or an unfavorable review, they might not believe in what you write in the future.
Cineaste offers social, political and aesthetic perspective on cinema. Book reviews should deal with newly published books , and may be single-book or multiple-book reviews. They encourage review-essays in which the discussion serves as a vehicle for a broader treatment of ideas or issues, and individual book reviews should be 1,000-1,500 words. They also publish feature articles, interviews, film reviews, DVD and Blu-Ray reviews, and columns.
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We are always looking for passionate writers who want to write about Cinematic Arts. There are two sections to apply for Film Fugitives. Edit your work; your opinions will not be taken seriously if you misspell the director’s name or can’t put together a grammatically correct sentence. Take the time to check your spelling and edit your piece for organizational flow.
Give your review at least one editorial pass, and maybe two or three, before you consider it to be editorially sound. Support your opinions with evidence from specific scenes. This is where taking notes during the movie really pays off.